THE NUCLEAR FAMILY
1969
THE
MAGICALALPHABET
..................
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THE RAINBOW LIGHT |
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RAINBOW |
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LIGHT |
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171 |
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A
MAZE
IN
ZAZAZA ENTERS AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
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133 |
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121 |
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65 |
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First Total |
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3+5 |
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5+8 |
Add to Reduce |
6+2+6 |
2+6+6 |
5+9 |
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1+4 |
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1+8 |
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1+3 |
Reduce to Deduce |
1+4 |
1+4 |
1+0 |
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Essence of Number |
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Postmaster@Imperial.ac,uk
1/2/ 1999 9:14 pm
Sir I would greatly appreciate it if this and the following e-mail could please be forwarded to Professor Steve Jones.
Yours sincerely
David Denison.
Steve Jones
Sir,
Do you recall towards the end of the year 1999 being bombarded with images and text, by a former prison officer. That work was sent to you under great creative duress and I hope it did not give offence.
The work resulting from that frenetic beginning is now drawing toward fruition and is presently posted on the internet.
I have no academic contacts and write to you once more to ask if you would be kind enough to read the messages contained in these two e-mails.
If your commitments prevent this I would appreciate the information being made available to someone who may be able to help evaluate its content.
This is in the main to do with links between language and number.
For example, HAFNIUM has the atomic number 72.
If that word is transcribed into number via the position each letter occupies within the context of the English Alphabet. ie A = 1 and Z = 26 the word Hafnium initially adds up to 72 numerologically this is then condensed becoming 36, finally 3+6 is added to reveal a root number for the word Hafnium of 9.
If the same criteria is applied to the Greek word IOTA which is the ninth letter of the Greek alphabet. The final
distillation of the transposed letters we arrive at number 9.
ADD TO REDUCE REDUCE TO DEDUCE
JUPITER the largest of the planets reduces as follows
Jupiter = 99
Jupiter = 36
Jupiter = 9
The root number of the 3 lettered word SUN is also 9
The root number of the 4 lettered word MOON is 57 reducing initially to 21 and then to 3
The root number of the 5 lettered word EARTH is 52 reducing via 25 to 7
Add to reduce reduce to deduce. That is the key revealing the numerical language links contained within this hidden Magikalalphabet. Coincidental? patterns in abundance
Further examples.
The reference to self, as expressed in the letter I is a constant reiteration of the symbol indicating the 9th position occupied by that letter in the English Alphabet. And that particular language is the conduit that reveals further understanding of those refracted patterns of energies we consider our reality.
The web site contains a mass of information, including hundreds of transcribed words, I believe it suggests another way to read reality. Through a glass sparkly.
Me = 18 then 9
Ego = 27 then 18 and 9
Conscience = 90 then 45 finally 9
Self = 42 = 15 = 6
Reality the word itself is 90 = 36 = 9
Think of the binary system numerical sequencing used in computer communications, and the curiousity exited by certain transposed words like LIVEEVIL LIVEDDEVIL.
EARTH HEART THERA and Abrahams fathers name Terah
There is another way of looking at language and number.
Arithmetical formulae secretly resident within the ENGLISH ALPHABETS CAPITAL LETTERS
H I N O S X Z
and the numbers 1 and 8
It can be seen that if these letters and numbers are inverted they remain visually the samehe same examples of this affecting the whole word are,
ONION, SIN, ZION, NIXON.
Words like Phoenix and Sphinx, or Magician Magic and Magi also contain the revolving symbols. Hereuponin other patterns begin to appear.
There are 9 planets
There are seven openings in the human head and two in the body 9 in all. (ignoring design appendages)
There are seven capital letters remain the same when inverted and two numbers, again 9.
Creative patterns can be observed that begin to tell a different story about the nature of realities intelligent living creativity, from that which is generally available unto our obscured I.
Thank you.
The review below may throw some light on previous communications.
A Ra in bow of good wishes wings its way to you
David Denison
dave@denizen7.freeserve.co.uk
www.973-eht-namuh-973.com
SUNDAY TIMES
July 24th 1977
Page 16
IMAGE OF THE WEEK: SURREALIST
"Where are the good painters of the 1970s In quite surprising places, very likely. One of them is in a West Yorkshire school for prison officers (of whom he is one) giving classes in first-aid. David Denison, who has a current exhibition at Ilkley Manor House, Yorkshire, is almost ,entirely self-taught. As a result he I has learned an astonishing skill
of a highly personal kind. He is a natural surrealist - a breed that is commoner in England than in more rational countries, but is very rare even here.
His imagining has a sardonic poetry of its own. His Study of a Head, for example (right),(image omitted) builds spectacjes and dentures into the structur of a skull. Each eye- socket contains minutely glitter- ing machinery like a watch. Denison is great on eyes. In another picture, a bushy insect likeness of himself sits down to make a meal of a pair of eyeballs.
'A reflective painter will often discern something cannibal in the way an artist consumes his experience and himself, but here, the arched brows and the clown- like red nose have the look of a Prime Minister of Mirth. The hilarity resides in the fantastic
human mix - the very combina- tion of ebullience and decrepi- tude that you can recognise in any pension queue. It is the living flesh of our time, shabbily facetious and libidinous but decayed and dependent on spare parts.
Other Denison pictures are more sombre, poetic, or hor- rendous. Even in their farthest extremity there is often a quality of the real from which fantastic art is usually protected. One can sense that the painter is familiar with rigoursand incongruities that are by no means imaginary. A first-aid prison officer sees vio-lence and self-mutilation, and looks aggression and despair in the face - no painter can know better the constraints from which imagination is literally the only escape. Denison's best pictures have a quality of serious need.
At 37 this remarkable painter is still little known, but Sir Roland Penrose reports that when Max Ernst came to England it was Denison that he wanted to hear about. In a year or two Denison will be famous and we shall ; wonder how we managed to neglect him.
David Denison's work will be on show at IIkley Manor House, Yorkshire until Yorkshire, until August 17."
Lawrence Gowing .
IN
THE
NAME OF GOD
THE COMPASSIONATE THE
MERCIFUL
THE
LORD BLESS THEE AND KEEP THEE THE LORD
MAKE HIS FACE TO SHINE UPON
THEE AND BE GRACIOUS UNTO THEE
THE
LORD
LIFT UP HIS COUNTENANCE UPON
THEE AND GIVE THEE
PEACE
973AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA 973
ISISISISISISISISISISISIS 919919919919 ISISISISISISISISISISISIS
999181818181818181818 AZAZAZAZAZAZAZAZAZAZAZ818181818181818181999
999999999AUMMANIPADMEHUMAUMMANIPADMEHUMAUMMANIPADMEHUM999999999
122333444455555666666777777788888888999999999888888887777777666666555554444333221
BELOVED LOVE EVOLVE EVOLVE LOVE BELOVED LOVE EVOLVE EVOLVE LOVE BELOVED
IN
THE
BEGINNING
GOD
CREATED THE HEAVEN AND THE EARTH
2
AND THE EARTH WAS WITHOUT FORM AND VOID
AND DARKNESS WAS UPON THE FACE OF THE DEEP AND THE SPIRIT OF
GOD
MOVED UPON THE FACE OF THE WATERS
3
AND GOD SAID LET THEIR BE LIGHT AND THERE WAS LIGHT
I
AM
ALPHA AND OMEGA
WITHOUT BEGINNING WITHOUT END
I AM THAT THAT THAT AM I
THE HUMAN 1973
THE SCULPTURE OF VIBRATIONS
1970
THE JOURNEYMAN 1977
THE JOURNEYWOMAN
1977
AFRICAN NIGHTMARE SPECTRE OF FAMINE 1972
FIRST CONTACT 1980
MAN EATING HIS OWN EYES 1977
EHT NAMUH 1977
IN THE PADS 1978
THE LIGHT IS RISING NOW RISING IS THE LIGHT
MAGIC IS AS MAGIC DOES
MESSAGE READS
TO THE ALL AND SUNDRY OF PLANET EARTH
RA IN BOW GOOD WISHES
LOVING THE LIGHT AND YOU R OF THE LIGHT
DAVE D HEREIN THE I'M DENISON DIMENSION
H |
= |
8 |
|
5 |
HAPPY |
66 |
30 |
3 |
B |
= |
2 |
|
5 |
BIRTH |
57 |
30 |
3 |
D |
= |
4 |
|
3 |
DAY |
30 |
12 |
3 |
- |
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First Total |
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- |
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1+4 |
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1+3 |
Add to Reduce |
1+5+3 |
7+2 |
- |
- |
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Second Total |
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- |
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- |
- |
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Reduce to Deduce |
- |
- |
- |
- |
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Essence of Number |
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I
THE
MESSAGE
unless integral to quoted work.
all arithmetical machinations, emphasis,
comment, insertions subterfuge and insinuations
are those of the Zed Aliz Zed as recorded by the far yonder scribe.
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 466
"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and
voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice.
That was the true death on the cross, the true Atonement."
HOLY BIBLE
Scofield References
Page 1117 A.D. 30.
Jesus answered and said unto him, Verily, verily,
I say unto thee, Except a man be born again,
He cannot see the kingdom of God.
St John Chapter 3 verse 3
3 + 3 3 x 3
6 x 9
54
5 + 4
9
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878- 1947
Page 217
" 'A man may be born ,but in order to be born he must first die, and in order to die he must first awake.' "
" 'When a man awakes he can die; when he dies he can be born' " Thus spake the prophet Gurdjieff.
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 496
" There is both rhyme and reason in what I say, I have made a dream poem of humanity.
I will cling to it. I will be good. I will let death have no mastery over my thoughts.
For therein lies goodness and love of humankind, and in nothing else."
"Love stands opposed to death. It is love, not reason, that is stronger than death . Only love, not reason, gives sweet thoughts. And from love and sweetness alone can form come: form and civilisation, friendly and enlightened , beautiful human intercourse-always in silent recognition of the blood-sacrifice. Ah, yes, it is it is well and truly dreamed. I have taken stock I will keep faith with death in my heart, yet well remember that faith with death and the dead is evil, is hostile to mankind, so soon as we give it power over thought and action.
For the sake of goodness and love, man shall let death have no sovereignty over his thoughts.
- And with this -I awake. For I have dreamed it out to the end, I have come to my goal."
Page 496 / 497
After a short meeting with their good and trusted friend Thomas. Alizzed and the scribe thanked him most genuinely for the benefit of his wisdom, in the matter of their quest, and in saying their good byes, wished the other well, a not unusual seven times, and of course, promised, not to leave it quite so long in the future.
DAILY MAIL
Monday, May 1, 2006
Ian Drury
"Injured man dies after six-hour 999 delay in sending ambulance "
"A MAN died after police and ambulance crews took six hours to respond to 999 calls that he was lying unconscious in a street"
"He dialled 999 and told Staffordshire Ambulance Service..."
"It is not clear why the ambulance service did not send paradamedics after the first 999 call."
2061
ODYSSEY THREE
Arthur C. Clarke 1987
Page 13 (number 0mitted)
"THE MAGIC MOUNTAIN"
RAMAH II
Arthur C. Clarke & Gentry Lee 1989
Page 9
"Again humanity looked outward, toward the stars, and the deep philosophical questions raised by the first Rama were again debated by the populace on Earth. As the new visitor drew nearer and its physical characteristics were more carefully resolved by the host of sensors aimed in its direction, it was confirmed that this alien spacecraft, at least from the outside, was identical to its predecessor. Rama had returned. Mankind had a second appointment with destiny."
Page 178 (number omitted)
"Cosmonaut Wakefield is remarkably well adjusted"
"Wakefield knew more than any member of the faculty..."
"Wakefield exhibits none of the anti social behaviour..."
"...Wakefield and rubbed her eyes."
Page179
"the Wakefield dossier"
"and Wakefield"
"Wakefield"
Page 180
"Wakefield's intelligence rating..."
"So what about Wakefield ? she asked herself "
"She resolved to talk to Wakefield."
Enlisting Wakefield for support"
DAILY MAIL
Friday, January 20, 2006
By Steve Doughty
Page 13
"Nine in ten"
"More than nine out of ten. . ."
3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
7 |
MESSAGE |
- |
- |
- |
2 |
M+E |
18 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
3 |
S+A+G |
27 |
18 |
9 |
1 |
E |
5 |
5 |
5 |
7 |
MESSAGE |
69 |
42 |
24 |
14 |
Add |
162 |
81 |
36 |
1+4 |
Reduce |
1+6+2 |
8+1 |
3+6 |
5 |
Deduce |
9 |
9 |
9 |
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
18 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
76 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
27 |
9 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
10 |
|
133 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
121 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
5+8 |
Add to Reduce |
6+2+6 |
2+6+6 |
5+9 |
|
|
|
|
|
|
|
1+4 |
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
Reduce to Deduce |
1+4 |
1+4 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
ADVENT 2275 ADVENT
W |
= |
5 |
- |
4 |
WHAT |
52 |
16 |
7 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
L |
= |
3 |
- |
4 |
LOOK |
53 |
17 |
8 |
F |
= |
6 |
- |
3 |
FOR |
30 |
21 |
3 |
T |
= |
2 |
- |
9 |
THEREFORE |
100 |
46 |
1 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
U |
= |
3 |
- |
9 |
UNIVERSAL |
121 |
40 |
4 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
- |
- |
41 |
|
53 |
First Total |
|
|
|
- |
- |
4+1 |
- |
5+3 |
Add to Reduce |
6+1+6 |
2+3+8 |
4+9 |
- |
- |
5 |
- |
8 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+3 |
1+3 |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
K |
= |
2 |
- |
4 |
KIND |
38 |
20 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
C |
= |
3 |
- |
14 |
COMPREHENSIBLE |
144 |
72 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
A |
= |
1 |
- |
3 |
ANY |
40 |
13 |
4 |
T |
= |
2 |
- |
15 |
TECHNOLOGICALLY |
161 |
71 |
8 |
A |
= |
1 |
- |
2 |
ADVANCED |
54 |
27 |
9 |
S |
= |
1 |
- |
7 |
SOCIETY |
96 |
33 |
6 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
3 |
ANY |
40 |
13 |
4 |
E |
= |
5 |
- |
5 |
EPOCH |
47 |
29 |
2 |
- |
- |
47 |
|
81 |
First Total |
|
|
|
- |
- |
4+7 |
- |
8+1 |
Add to Reduce |
9+3+1 |
4+0+0 |
8+5 |
- |
- |
11 |
- |
|
Second Total |
|
|
|
- |
- |
1+5 |
- |
- |
Reduce to Deduce |
1+3 |
- |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
L |
= |
3 |
- |
9 |
LANGUAGES |
87 |
33 |
6 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
F |
= |
6 |
- |
3 |
FEW |
34 |
16 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
F |
= |
6 |
- |
3 |
FAR |
25 |
16 |
7 |
B |
= |
2 |
- |
7 |
BETWEEN |
74 |
29 |
2 |
B |
= |
2 |
- |
3 |
BUT |
43 |
7 |
7 |
M |
= |
4 |
- |
11 |
MATHEMATICS |
112 |
40 |
4 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
THEM |
46 |
19 |
1 |
- |
- |
49 |
|
57 |
First Total |
|
|
|
- |
- |
4+9 |
- |
5+7 |
Add to Reduce |
5+9+8 |
2+3+8 |
5+8 |
- |
- |
13 |
- |
|
Second Total |
|
|
|
- |
- |
1+3 |
- |
1+2 |
Reduce to Deduce |
2+2 |
1+3 |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
7 |
LETTERS |
99 |
27 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
7 |
NUMBERS |
73 |
28 |
1 |
- |
- |
19 |
|
28 |
First Total |
|
|
|
- |
- |
1+9 |
- |
2+8 |
Add to Reduce |
2+9+9 |
1+1+0 |
2+0 |
- |
- |
10 |
- |
|
Second Total |
|
|
|
- |
- |
1+0 |
- |
1+0 |
Reduce to Deduce |
2+0 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
MATHEMATICS A LANGUAGE OF LETTERS AND NUMBERS
W |
= |
5 |
- |
4 |
WHAT |
52 |
16 |
7 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
L |
= |
3 |
- |
4 |
LOOK |
53 |
17 |
8 |
F |
= |
6 |
- |
3 |
FOR |
30 |
21 |
3 |
T |
= |
2 |
- |
9 |
THEREFORE |
100 |
46 |
1 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
U |
= |
3 |
- |
9 |
UNIVERSAL |
121 |
40 |
4 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
|
|
41 |
|
53 |
|
|
|
49 |
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
K |
= |
2 |
- |
4 |
KIND |
38 |
20 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
C |
= |
3 |
- |
4 |
THAT |
144 |
72 |
9 |
T |
= |
2 |
- |
5 |
WOULD |
35 |
8 |
8 |
A |
= |
1 |
- |
2 |
BE |
40 |
13 |
4 |
T |
= |
2 |
- |
14 |
COMPREHENSIBLE |
161 |
71 |
8 |
A |
= |
1 |
- |
2 |
TO |
54 |
27 |
9 |
S |
= |
1 |
- |
3 |
ANY |
96 |
33 |
6 |
I |
= |
9 |
- |
15 |
TECHNOLOGICALLY |
23 |
14 |
5 |
A |
= |
1 |
- |
2 |
ADVANCED |
40 |
13 |
4 |
E |
= |
5 |
- |
7 |
SOCIETY |
48 |
29 |
2 |
T |
= |
2 |
- |
2 |
IN |
49 |
13 |
4 |
W |
= |
5 |
- |
3 |
ANY |
75 |
21 |
3 |
B |
= |
2 |
- |
5 |
EPOCH |
7 |
7 |
7 |
|
|
47 |
|
81 |
|
|
|
85 |
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
L |
= |
3 |
- |
9 |
LANGUAGES |
87 |
33 |
6 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
F |
= |
6 |
- |
3 |
FEW |
34 |
16 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
F |
= |
6 |
- |
3 |
FAR |
25 |
16 |
7 |
B |
= |
2 |
- |
7 |
BETWEEN |
74 |
29 |
2 |
B |
= |
2 |
- |
3 |
BUT |
43 |
7 |
7 |
M |
= |
4 |
- |
11 |
MATHEMATICS |
112 |
40 |
4 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
THEM |
46 |
19 |
1 |
|
|
49 |
|
57 |
|
|
|
58 |
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
7 |
LETTERS |
99 |
27 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
7 |
NUMBERS |
73 |
28 |
1 |
|
|
19 |
|
28 |
|
|
|
20 |
|
|
|
|
|
|
|
|
|
- |
- |
156 |
|
219 |
First Total |
|
|
|
- |
- |
1+5+6 |
- |
2+1+9 |
Add to Reduce |
2+4+4+4 |
9+8+6 |
2+1+2 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
1+2 |
- |
1+2 |
Reduce to Deduce |
1+4 |
2+3 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
MATHEMATICS A LANGUAGE OF LETTER AND NUMBER
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
6 |
LETTER |
80 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
1 |
S |
- |
19 |
|
26 |
First Total |
|
|
|
- |
- |
1+9 |
- |
2+6 |
Add to Reduce |
2+6+1 |
1+0+8 |
1+8 |
- |
- |
|
- |
|
Second Total |
9 |
9 |
9 |
- |
- |
1+0 |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
|
- |
|
Essence of Number |
9 |
9 |
9 |
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
4 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
7 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
9 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
5 |
|
32 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
14 |
3 |
|
48 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
4 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
19 |
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
6+4 |
Add to Reduce |
5+9+4 |
2+9+7 |
7+2 |
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
1+0 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
THE ADVENT |
- |
- |
- |
|
THE |
33 |
15 |
|
|
ADVENT |
66 |
21 |
|
9 |
THE ADVENT |
99 |
36 |
9 |
- |
- |
9+9 |
3+6 |
- |
9 |
THE ADVENT |
9 |
9 |
9 |
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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8 |
9 |
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5 |
6 |
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1 |
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8 |
+ |
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4+3 |
= |
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= |
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= |
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8 |
9 |
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14 |
15 |
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19 |
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24 |
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26 |
+ |
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1+1+5 |
= |
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= |
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= |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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1 |
2 |
3 |
4 |
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7 |
8 |
9 |
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2 |
3 |
4 |
5 |
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7 |
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+ |
= |
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8+3 |
= |
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1+1 |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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10 |
11 |
12 |
13 |
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16 |
17 |
18 |
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20 |
21 |
22 |
23 |
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25 |
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+ |
= |
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2+3+6 |
= |
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1+1 |
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= |
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26 |
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R |
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1 |
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6 |
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9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
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3+5+1 |
= |
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= |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
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1+2+6 |
= |
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= |
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= |
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26 |
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occurs |
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occurs |
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1+8 |
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26 |
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9 |
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5 |
6 |
7 |
8 |
9 |
1 |
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7 |
8 |
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26 |
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RANKING STARS IN A CONSTELLATION
Or, for constellations not ending in "-us," add "-is" (e.g., Orion becomes Orionis). For your convenience, the genitive case is indicated at the top of the ... homepage.mac.com/kvmagruder/bcp/aster/constellations/alpha.htm
"Lift your eyes and look to the heavens: Who created all these?
He who brings out the starry host one by one, and calls them each by name.
Because of his great power and mighty strength, not one of them is missing."
Isaiah 40:25
Stars within a given constellation are usually ranked according to relative brightness by the Greek alphabet. The brightest star is alpha, the second-brightest beta, the third-brightest gamma, and so forth. There are some exceptions, when an especially common constellation (such as Ursa Major or Crux) is numbered according to its linear sequence, like a dot-to-dot diagram.
Star names have two parts; the first is the Greek letter indicating its brightness. The second part of a star name indicates its constellation. To obtain this constellation part of the star name, the letter of the Greek alphabet which indicates a star's brightness is conjoined with the Latin genitive case of the name of the constellation. For example, the brightest star of the constellation Centaurus is "alpha-Centauri," which happens to be the star nearest to our own Sun (though it is actually a multiple star system). "Centauri" is the Latin genitive case of "Centaurus." In general, the genitive case is obtained by changing the suffix "-us" to "-i," (e.g., Taurus becomes Tauri). Or, for constellations not ending in "-us," add "-is" (e.g., Orion becomes Orionis).
As to why it's Orionis rather than Orion, etc.—these are just the genitive (possessive) cases of the Latin names/words for the constellations. ... www.astro.cornell.edu/research/projects/CAS/faq.html
Cornell Astronomical Society
7) What do these names like "Delta Orionis" mean? Why is it "Orionis" and not "Orion?"
Some stars have their own proper names, like Rigel (in Orion), Vega (in Lyra), or Polaris (in Ursa Minor). These are either prominent, bright stars, or they occupy particular places in the constellations. (For example, two fun star names are Zubenelgenubi and Zubeneschamali, Arabic names meaning "The Southern Claw" and "The Northern Claw," respectively; the stars are in Libra, the Balance. Libra used to be part of Scorpius, the Scorpion; these stars were its two claws.)
Most stars, however, don't have special names. For those such stars visible to the eye, we use a system developed by Johann Bayer in the 17th century. He ranked stars in constellations in order from brightest to dimmest, using letters of the Greek alphabet: Alpha is the brightest star of a constellation, Beta the second brightest, etc. When the Greek alphabet has been exhausted, numbers are used. This latter system was devised by the 17th century British astronomer John Flamsteed, who assigned numbers even to stars that Bayer had given letter designations; most people only use the Flamsteed numbers for stars that do not have proper names or Greek letters.
As to why it's Orionis rather than Orion, etc.—these are just the genitive (possessive) cases of the Latin names/words for the constellations. Thus, "Delta Orionis" is "4th brightest star of the constellation Orion." While you need to learn Latin for the details (and it's very useful to know Latin, so you should consider it!), for nearly all the constellations the rules are: 1) if the name ends in "a" (Lyra, Andromeda,...), the genitive will end in "ae" (Lyrae, Andromedae,...); 2) if the name ends in "us" or "um" (Cygnus, Cepheus, Scutum,...), the genitive will end in "i" (Cygni, Cephei, Scuti,...); 3) anything else (Orion, Virgo,...) is likely a "3rd declension noun," which indicates a sort of kitchen-sink situation re whether/how the base portion of the noun changes—simple answer is, memorize the genitive versions.
9 Jun 2008 ... is designated R followed by the genitive of the constellation name (eg. ... At maximum light, FU Orionis stars are of spectral type A - G after which the spectral ... For more information, see: Orion variable stars ...
en.citizendium.org/wiki/Variable_star
Variable star - encyclopedia - Citezendium
FU Orionis stars
Named after the prototype of this class, FU Orionis (GCVS code: FU), these stars are characterized by a slow outburst in which the brightness of the star increases up to 6 magnitudes over a number of months and stays at maximum brightness for up to several years after which a slow decline sets in that dims the star by a couple of magnitudes. During an outburst the spectral type of the stars can change significantly and an emission spectrum develops as well. At maximum light, FU Orionis stars are of spectral type A - G after which the spectral type becomes later. All FU Orionis stars are associated with reflecting nebulae.[2][3]
FU Orionis stars are pre-main sequence stars somewhat similar to T Tauri stars. The prototype was first discovered in 1939 by A. Wachmann when the star increased some 100-fold in brightness. FU Orionis was studied in depth by George Herbig in the 1960s and 1970s.[2] There are some 10 stars known of this type.
5 |
ALPHA |
38 |
|
20 |
= |
2 |
ORIONIS |
99 |
|
45 |
|
9 |
|
4 |
BETA |
28 |
|
10 |
= |
1 |
ORIONIS |
99 |
|
45 |
|
9 |
|
5 |
GAMMA |
35 |
|
17 |
= |
8 |
ORIONIS |
99 |
|
45 |
|
9 |
|
5 |
DELTA |
42 |
|
15 |
= |
6 |
ORIONIS |
99 |
|
45 |
|
9 |
|
7 |
EPSILON |
90 |
|
36 |
= |
9 |
ORIONIS |
99 |
|
45 |
|
9 |
|
4 |
ZETA |
52 |
|
16 |
= |
7 |
ORIONIS |
99 |
|
45 |
|
9 |
|
3 |
ETA |
26 |
|
8 |
= |
8 |
ORIONIS |
99 |
|
45 |
|
9 |
|
5 |
THETA |
54 |
|
18 |
= |
9 |
ORIONIS |
99 |
|
45 |
|
9 |
|
4 |
IOTA |
45 |
|
18 |
= |
9 |
ORIONIS |
99 |
|
45 |
|
9 |
|
5 |
KAPPA |
45 |
|
18 |
= |
9 |
ORIONIS |
99 |
|
45 |
|
9 |
|
6 |
LAMBDA |
33 |
|
15 |
= |
6 |
ORIONIS |
99 |
|
45 |
|
9 |
|
2 |
MU |
34 |
|
7 |
= |
7 |
ORIONIS |
99 |
|
45 |
|
9 |
|
2 |
NU |
35 |
|
8 |
= |
8 |
ORIONIS |
99 |
|
45 |
|
9 |
|
2 |
XI |
33 |
|
15 |
= |
6 |
ORIONIS |
99 |
|
45 |
|
9 |
|
7 |
OMICRON |
87 |
|
42 |
= |
6 |
ORIONIS |
99 |
|
45 |
|
9 |
|
2 |
PI |
25 |
|
16 |
= |
7 |
ORIONIS |
99 |
|
45 |
|
9 |
|
3 |
RHO |
41 |
|
23 |
= |
5 |
ORIONIS |
99 |
|
45 |
|
9 |
|
5 |
SIGMA |
49 |
|
22 |
= |
4 |
ORIONIS |
99 |
|
45 |
|
9 |
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792 |
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5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
OR |
33 |
15 |
6 |
4 |
IRON |
56 |
29 |
2 |
2 |
IS |
28 |
10 |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
ORIONIS |
99 |
54 |
9 |
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ORIONIS |
- |
- |
- |
1 |
ORI |
42 |
24 |
6 |
1 |
O |
15 |
6 |
6 |
1 |
NIS |
42 |
15 |
6 |
7 |
ORIONIS |
99 |
54 |
18 |
|
- |
9+9 |
5+4 |
1+8 |
|
ORIONIS |
|
|
|
|
- |
1+8 |
- |
- |
|
ORIONIS |
|
|
|
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ORIONIS |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
1 |
NIS |
42 |
15 |
6 |
7 |
ORIONIS |
99 |
54 |
36 |
|
- |
9+9 |
5+4 |
3+6 |
|
ORIONIS |
|
|
|
|
- |
1+8 |
- |
- |
|
ORIONIS |
|
|
|
ORION IS IS ORION
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ORIONIS |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
1 |
N |
14 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
7 |
ORIONIS |
99 |
54 |
45 |
|
- |
9+9 |
5+4 |
4+5 |
|
ORIONIS |
|
|
|
|
- |
1+8 |
- |
- |
|
ORIONIS |
|
|
|
|
|
|
|
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|
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|
O |
|
6 |
1 |
1 |
O |
15 |
6 |
6 |
|
|
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|
R |
|
9 |
2 |
1 |
R |
18 |
9 |
9 |
|
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I |
|
9 |
3 |
1 |
I |
9 |
9 |
9 |
|
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|
O |
|
6 |
4 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
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|
|
N |
|
5 |
5 |
1 |
N |
14 |
5 |
5 |
|
|
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|
|
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|
I |
|
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
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S |
|
1 |
7 |
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
45 |
|
7 |
ORIONIS |
99 |
54 |
45 |
|
|
|
|
|
|
12 |
|
|
27 |
|
|
4+5 |
|
|
- |
9+9 |
5+4 |
4+5 |
|
|
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|
1+2 |
|
|
2+7 |
|
|
|
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|
ORIONIS |
|
|
|
|
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- |
|
|
- |
1+8 |
- |
- |
|
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|
ORIONIS |
|
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O |
|
6 |
1 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
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|
R |
|
9 |
2 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
|
9 |
3 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
O |
|
6 |
4 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
N |
|
5 |
5 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
I |
|
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
S |
|
1 |
7 |
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
45 |
|
7 |
ORIONIS |
99 |
54 |
45 |
|
|
|
|
|
|
12 |
|
|
27 |
|
|
4+5 |
|
|
- |
9+9 |
5+4 |
4+5 |
|
|
|
|
|
|
1+2 |
|
|
2+7 |
|
|
|
|
|
ORIONIS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
1+8 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ORIONIS |
|
|
|
|
|
|
|
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|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
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S |
|
1 |
7 |
1 |
S |
19 |
10 |
1 |
|
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|
|
|
|
|
N |
|
5 |
5 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
O |
|
6 |
1 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
O |
|
6 |
4 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
R |
|
9 |
2 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
|
9 |
3 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
|
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
45 |
|
7 |
ORIONIS |
99 |
54 |
45 |
|
|
|
|
|
|
12 |
|
|
27 |
|
|
4+5 |
|
|
- |
9+9 |
5+4 |
4+5 |
|
|
|
|
|
|
1+2 |
|
|
2+7 |
|
|
|
|
|
ORIONIS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
1+8 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ORIONIS |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
1 |
7 |
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
N |
|
5 |
5 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
O |
|
6 |
1 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
O |
|
6 |
4 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
R |
|
9 |
2 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
I |
|
9 |
3 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
I |
|
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
45 |
|
7 |
ORIONIS |
99 |
54 |
45 |
|
|
|
12 |
27 |
|
|
4+5 |
|
|
- |
9+9 |
5+4 |
4+5 |
|
|
|
1+2 |
2+7 |
|
|
|
|
|
ORIONIS |
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
1+8 |
- |
- |
|
|
|
|
|
|
|
|
|
|
ORIONIS |
|
|
|
|
|
|
|
|
ORION IS IS ORION
ORIONIS
ORIONIS OSIRION ORIONIS
OSIREION
Osireion - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Osireion
The Osirion or Osireon is located at Abydos at the rear of the temple of Seti I. It is an integral part of Seti I's funeral complex and is built to resemble an 18th ...
From Wikipedia, the free encyclopedia
The Osirion at the rear of the temple of Seti I at Abydos, the underground entry to the Osireion is at the top of the picture, see image below
The Osirion or Osireon is located at Abydos at the rear of the temple of Seti I. It is an integral part of Seti I's funeral complex and is built to resemble an 18th Dynasty Valley of the Kings tomb. [1] It was discovered by archaeologists Flinders Petrie and Margaret Murray who were excavating the site in 1902-3. The Osirion was originally built at a considerably lower level than the foundations of the temple of Seti, who ruled from 1294 - 1279 BC [2]. While there is disagreement as to its true age, despite the fact that it is situated at a lower depth than the structures nearby, that it features a very different architectural approach, and that it is frequently flooded with water which would have made carving it impossible had the water level been the same at the time of construction, Peter Brand says it "can be dated confidently to Seti's reign."[3]
- |
OSIREION |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
1 |
S |
19 |
10 |
1 |
1 |
I |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
1 |
E |
5 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
1 |
N |
14 |
5 |
5 |
8 |
OSIREION |
104 |
59 |
50 |
|
- |
1+0+4 |
5+9 |
4+5 |
|
OSIREION |
|
|
|
|
|
- |
1+4 |
- |
|
OSIREION |
|
|
|
- |
OSIREION |
- |
- |
- |
2 |
S+O |
25 |
16 |
7 |
1 |
I |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
1 |
E |
5 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
2 |
O+N |
29 |
11 |
2 |
8 |
OSIREION |
104 |
59 |
50 |
|
- |
1+0+4 |
5+9 |
4+5 |
|
OSIREION |
|
|
|
|
|
- |
1+4 |
- |
|
OSIREION |
|
|
|
- |
OSIREION |
- |
- |
- |
4 |
O+S+I+R |
61 |
25 |
7 |
4 |
E+I+O+N |
43 |
25 |
7 |
8 |
OSIREION |
104 |
50 |
14 |
|
- |
1+0+4 |
5+0 |
1+4 |
|
OSIREION |
|
|
|
- |
OSIRION |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
1 |
S |
19 |
10 |
1 |
1 |
I |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
1 |
N |
14 |
5 |
5 |
7 |
OSIRION |
99 |
54 |
45 |
|
- |
9+9 |
5+4 |
4+5 |
|
OSIRION |
|
|
|
|
- |
1+8 |
- |
- |
|
OSIRION |
|
|
|
- |
OSIRION |
- |
- |
- |
2 |
S+O |
34 |
16 |
7 |
1 |
I |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
O+N |
29 |
11 |
2 |
7 |
OSIRION |
99 |
54 |
45 |
|
- |
9+9 |
5+4 |
4+5 |
|
OSIRION |
|
|
|
|
- |
1+8 |
- |
- |
|
OSIRION |
|
|
|
O |
= |
6 |
- |
8 |
OSIREION |
104 |
50 |
5 |
O |
= |
6 |
- |
7 |
OSIRION |
99 |
54 |
9 |
- |
- |
|
- |
|
- |
|
|
|
- |
- |
1+2 |
- |
1+5 |
- |
2+0+3 |
1+1+3 |
9+5 |
- |
- |
|
- |
|
- |
|
|
|
- |
- |
- |
- |
- |
- |
1+8 |
- |
- |
- |
- |
|
- |
|
- |
|
|
|
Osireion - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Osireion
The Osirion or Osireon is located at Abydos at the rear of the temple of Seti I. It is an integral part of Seti I's funeral complex and is built to resemble an 18th ...
From Wikipedia, the free encyclopedia
The Osirion at the rear of the temple of Seti I at Abydos, the underground entry to the Osireion is at the top of the picture, see (image omitted) below
The Osirion or Osireon is located at Abydos at the rear of the temple of Seti I. It is an integral part of Seti I's funeral complex and is built to resemble an 18th Dynasty Valley of the Kings tomb. [1] It was discovered by archaeologists Flinders Petrie and Margaret Murray who were excavating the site in 1902-3. The Osirion was originally built at a considerably lower level than the foundations of the temple of Seti, who ruled from 1294 - 1279 BC [2]. While there is disagreement as to its true age, despite the fact that it is situated at a lower depth than the structures nearby, that it features a very different architectural approach, and that it is frequently flooded with water which would have made carving it impossible had the water level been the same at the time of construction, Peter Brand says it "can be dated confidently to Seti's reign."[3]
- |
OSIRION |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
1 |
S |
19 |
10 |
1 |
1 |
I |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
1 |
N |
14 |
5 |
5 |
7 |
OSIRION |
99 |
54 |
45 |
|
- |
9+9 |
5+4 |
4+5 |
|
OSIRION |
|
|
|
|
- |
1+8 |
- |
- |
|
OSIRION |
|
|
|
OSIRION
ORION OSIRIS SIRIUS IRIS ISIS ISIS IRIS SIRIUS OSIRIS ORION
69965 619991 199931 9991 9191 9191 9991 199931 619991 69965
ORION OSIRIS SIRIUS IRIS ISIS ISIS IRIS SIRIUS OSIRIS ORION
Daily Mail
Monday February 23, 2009
ANSWERS TO CORRESPONDENTS
Compiled by Charles Legge
Page 57
QUESTION Are the three stars that make up Orion's belt a similar distance from the Earth or do they just appear that way?
ORION, the giant huntsman of Greek mythology whom Zeus placed among the stars as the constellation, has three stars of apparently similar brightness and colour (bluish-white) in his belt, given the Arabic names (from left to right) Alnitak, Alnilam and Mintaka.
In fact, Alnitak is 800 light years away from us, Alnilam 1,300 light years and Mintaka 900 light years. They appear in a straight line only in our line of sight.
Despite this, the three stars appear to be closely associated. Each is a luminous, hot supergiant having luminosities at least 100,000 times that of the Sun, and surface temperatures exceeding 25,000c (our Sun is 5,500c).
It's believed the three stars, and several other equally hot
and luminous stars in the constellation Orion, were formed together as a close cluster. The passage of time has seen them drift apart.
Such luminous stars use up hydrogen at a prodigious rate so they're only a few million years old and have no more than a few million years to live before blowing themselves up in a supernova explosion.
These timescales are short in astronomical terms. Our Sun, with its far lower luminosity and lower fuel consumption, has shone for five billion years and is expected to shine steadily for the same amount of time before it, too, dies, in a much more sedate fashion than a supernova explosion.
The five billion years that our Sun has been around has meant that life has had time to develop on one of its planets — Earth.
It seems most unlikely that any hypopthetical planet around a star in Orion's belt could have developed sort of life when the history of the star, from birth to death, is only a few million years.
Norman Wallace, Sutton Coldfield, W Mids.
HERA HERE HER RHEA RATHER RHEA RATHER RHEA HER HERE HERA
ZEUS SEE US I ME YOU SEE ZEUS ME I ME ZEUS SEE YOU ME I US SEE ZEUS
A
STAR LIGHT STAR
STORY
A
STARRY RIDE A RIDE STARRY
I AM ALL STARRY STARRY EYED AM I ME I AM ALL STARRY STARRY EYED AM I
I AM ALL STARRY STARRY I'D AM I ME I AM ALL STARRY STARRY I'D AM I
I AM ALL STARRY STARRY IDEA AM I ME I AM ALL STARRY STARRY IDEA AM I
I AM ALL STARRY STARRY LIGHT AM I ME I AM ALL STARRY STARRY LIGHT AM I
A
STAR STARE STAR
HELLO SAY I ME I SAY HELLO
W |
|
5 |
- |
4 |
WHEN |
50 |
23 |
5 |
Y |
|
7 |
- |
3 |
YOU |
61 |
16 |
7 |
W |
|
5 |
- |
4 |
WISH |
59 |
23 |
5 |
U |
|
3 |
- |
4 |
UPON |
66 |
21 |
3 |
A |
|
1 |
- |
1 |
A |
1 |
1 |
1 |
S |
|
1 |
- |
4 |
STAR |
58 |
13 |
4 |
- |
- |
22 |
|
20 |
First Total |
|
|
|
- |
- |
2+2 |
|
2+0 |
Add to Reduce |
2+9+5 |
9+7 |
2+5 |
Q |
- |
4 |
|
|
Second Total |
|
16 |
7 |
- |
- |
- |
|
- |
Reduce to Deduce |
1+6 |
1+6 |
- |
- |
- |
|
|
|
Essence of Number |
7 |
|
|
ALNI TAK ALNILAM MINTAKA
A |
|
1 |
- |
7 |
ALNITAK |
68 |
23 |
5 |
A |
|
1 |
- |
7 |
ALNILAM |
62 |
26 |
8 |
M |
|
4 |
- |
7 |
MINTAKA |
69 |
24 |
6 |
- |
- |
|
|
21 |
First Total |
|
|
|
- |
- |
|
|
2+1 |
Add to Reduce |
1+9+9 |
7+3 |
1+9 |
Q |
- |
|
|
3 |
Second Total |
|
|
|
- |
- |
|
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
Q |
- |
|
|
|
Third Totalr |
|
|
|
- |
- |
|
|
|
Add to Reduce |
1+0 |
|
|
Q |
- |
|
|
|
Essence of Number |
|
|
|
ALNITAK ALNILAM MINTAKA
7 |
ALNITAK |
68 |
23 |
5 |
7 |
ALNILAM |
62 |
26 |
8 |
7 |
MINTAKA |
69 |
24 |
6 |
21 |
First Total |
|
|
|
2+1 |
Add to Reduce |
1+9+9 |
7+3 |
1+9 |
3 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
Third Totalr |
|
|
|
|
Reduce to Produce |
1+0 |
|
|
|
Essence of Number |
|
|
|
A |
|
1 |
- |
4 |
ALNI |
36 |
18 |
9 |
A |
|
1 |
- |
4 |
ALNI |
36 |
18 |
9 |
M |
|
4 |
- |
3 |
MIN |
36 |
18 |
9 |
- |
- |
|
|
11 |
Add to Reduce |
|
|
|
- |
- |
|
|
1+1 |
Reduce to Deduce |
1+0+8 |
5+4 |
2+7 |
Q |
- |
|
|
2 |
Essence of Number |
|
|
|
ALNI TAK ALNI LAM MIN TAKA
I
ME I ME
I
ALNI TAK ALNI LAM MIN TAKA
A |
|
1 |
- |
4 |
ALNI |
36 |
18 |
9 |
A |
|
1 |
- |
4 |
ALNI |
36 |
18 |
9 |
M |
|
4 |
- |
3 |
MIN |
36 |
18 |
9 |
- |
- |
|
|
11 |
Add to Reduce |
|
|
|
- |
- |
|
|
1+1 |
Reduce to Deduce |
1+0+8 |
5+4 |
2+7 |
Q |
- |
|
|
2 |
Essence of Number |
|
|
|
7 |
ALNITAK |
68 |
23 |
5 |
7 |
ALNILAM |
62 |
26 |
8 |
7 |
MINTAKA |
69 |
24 |
6 |
21 |
First Total |
|
|
|
2+1 |
Add to Reduce |
1+9+9 |
7+3 |
1+9 |
3 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
Third Totalr |
|
|
|
|
Reduce to Produce |
1+0 |
|
|
|
Essence of Number |
|
|
|
T |
|
2 |
- |
3 |
TAK |
32 |
5 |
5 |
L |
|
3 |
- |
3 |
LAM |
26 |
8 |
8 |
T |
|
2 |
- |
4 |
TAKA |
33 |
6 |
6 |
- |
- |
|
|
10 |
First Total |
|
|
|
- |
- |
|
|
1+0 |
Add to Reduce |
9+1 |
1+9 |
1+9 |
Q |
- |
|
|
1 |
Second Total |
|
|
|
- |
- |
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
Q |
- |
|
|
1 |
Essence of Number |
|
|
|
7 |
ALNITAK |
68 |
23 |
5 |
7 |
ALNILAM |
62 |
26 |
8 |
7 |
MINTAKA |
69 |
24 |
6 |
21 |
First Total |
|
|
|
2+1 |
Add to Reduce |
1+9+9 |
7+3 |
1+9 |
3 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
Third Totalr |
|
|
|
|
Reduce to Produce |
1+0 |
|
|
|
Essence of Number |
|
|
|
ALNITAK ALNILAM MINTAKA
ALNI TAK ALNI LAM MIN TAKA
1+3+5+9 2+1+2 1+3+5+9 3+1+4 4+9+5 2+1+2+1
ALNI TAK ALNI LAM MIN TAKA
ALNITAK ALNILAM MINTAKA
ALNITAK (Zeta Orionis). With brilliant Betelgeuse and Rigel dominating great Orion, we pay little heed to the individual stars of the Hunter's belt except ... www.astro.uiuc.edu/~kaler/sow/alnitak.html
ALNITAK (Zeta Orionis). With brilliant Betelgeuse and Rigel dominating great Orion, we pay little heed to the individual stars of the Hunter's belt except as a group, the trio the Arabs called the "string of pearls." All second magnitude, Johannes Bayer seems to have named the stars Delta, Epsilon, and Zeta from right to left. The name of the left hand star, Alnitak (Zeta Orionis), stands in for the whole string, and comes from a phrase that means "the belt of al jauza," "al jauza" the Arabs female "central one." Separate Alnitak from the belt and it becomes a most remarkable star in its own right, the brightest class O star in the sky, a hot blue supergiant. Tucked right next to it is a companion, a blue class B hydrogen-fusing star about three seconds of arc away, the pair orbiting each other with a period estimated to be thousands of years long. The region around Alnitak is remarkable as well, containing several dusty clouds of interstellar gas, including the famed "Horsehead Nebula" to the south. Alnitak approaches first magnitude even though at a distance of 800 light years. To the eye (ignoring the companion), it is 10,000 times more luminous than the Sun. However, its 31,000 Kelvin surface radiates mostly in the ultraviolet where the eye cannot see, and when that it taken into account, Alnitak's luminosity climbs to 100,000 times solar. A planet like the Earth would have to be 300 times farther from Alnitak than Earth is from the Sun (8 times Pluto's distance) for life like ours to survive. Such brilliance can only come from a star of great mass, Alnitak's estimated to be about 20 times solar (its dimmer companion's about 14 times solar). Like all O stars, Alnitak is a source of X-rays that seem to come from a wind that blows from its surface at nearly 2000 kilometers per second, the X- rays produced when blobs of gas in the wind crash violently into one another. Massive stars use their fuel quickly and do not live very long. Alnitak is probably only about 6 million years old (as opposed to the Sun's 4.5 billion year age) and it has already begun to die, hydrogen fusion having ceased in its core. The star will eventually become a red supergiant somewhat like Betelgeuse and almost certainly will explode as a supernova, leaving its companion orbiting a hot, madly spinning neutron star. (Thanks to Monica Shaw, who helped research this star.)
Written by
Jim Kaler. Return to STARS.
ALNILAM (Epsilon Orionis). Three brilliant stars mark the belt of Orion the Hunter, from right to left (west to east) Mintaka, Alnilam, and Alnitak. ... www.astro.uiuc.edu/~kaler/sow/alnilam.html
ALNILAM (Epsilon Orionis). Three brilliant stars mark the belt of Orion the Hunter, from right to left (west to east) Mintaka, Alnilam, and Alnitak. The names of all three refer to the whole set. The outer two are named after the "belt" of the Arabs "Central One (a mysterious feminine figure), while Alnilam comes from an Arabic word that aptly means "the String of Pearls," which the trio so well represents. The brightest of the Belt stars (which Bayer lettered in alphabetic order, again from right to left, Delta, Epsilon, and Zeta), and ranking fourth in the whole constellation, Alnilam shines at bright second magnitude (1.70). Though all three stars have similar colors, classes, and temperatures, Alnilam, a hot B (B0) bright supergiant, is notably the most luminous: it is brightest even though farthest away, half again farther than the other two (which lie at nearly the same distance, about 870 light years). From Alnilam's measured (though rather uncertain) distance of 1340 light years, it spectacularly radiates (after correction for its great amount of ultraviolet light) 375,000 solar luminosities from its 25,000 Kelvin surface, and is so hot that it illuminates its own (faint) nebulous cloud from the surrounding interstellar gases. Alnilam has served for many years as a "standard star" against which to compare others. Its brilliant blue and relatively simple spectrum also provides a fine background against which to study the gases of the intervening interstellar space. Like most supergiants, Alnilam is losing mass. A powerful wind blows from the star's surface at speeds up to 2000 kilometers per second, the flow rate two millionths of a solar mass per year (20 million times that from the Sun). Though seemingly single, which disallows direct measure of mass by means of a double-star orbit, the luminosity tells of an evolving star with a mass some 40 times solar. Currently only 4 or so million years old, its internal hydrogen fusion is shutting down, if it has not done so already. The star will shortly turn into a magnificent red supergiant far more luminous than nearby (on the sky) Betelgeuse, its only fate someday to explode.
Written by Jim Kaler. Return to STARS
7 |
EPSILON |
|
|
|
|
E+P+S |
40 |
13 |
|
|
L+I+O+N |
50 |
23 |
|
7 |
EPSILON |
90 |
36 |
9 |
- |
- |
9+0 |
3+6 |
- |
7 |
EPSILON |
9 |
9 |
9 |
E |
|
5 |
- |
7 |
EPSILON |
90 |
36 |
9 |
O |
|
6 |
- |
7 |
ORIONIS |
99 |
45 |
9 |
- |
- |
11 |
|
14 |
First Total |
|
|
|
- |
- |
1+1 |
|
1+4 |
Add to Reduce |
1+8+9 |
8+1 |
1+8 |
Q |
- |
2 |
|
5 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
Q |
- |
2 |
|
5 |
Essence of Number |
|
|
|
MINTAKA (Delta Orionis). Orion is defined by his great belt, three bright second magnitude stars in a row that the ancient Arabs called "the string of ... www.astro.uiuc.edu/~kaler/sow/mintaka.html
MINTAKA (Delta Orionis). Orion is defined by his great belt, three bright second magnitude stars in a row that the ancient Arabs called "the string of pearls," which is the meaning of the name of the middle star, Alnilam. The two flanking stars, eastern Alnitak and western Mintaka, both come from Arabic phrases that mean "the belt of the Central One," the Central One the Arabic personification of our Orion, a woman lost to history. Though (at magnitude 2.21) Mintaka is the seventh brightest star in Orion, and the faintest of the three belt stars, it still received the Delta designation from Bayer, who lettered the belt stars in order from west to east before dropping down to Orion's lower half to continue the process. Of the sky's brightest stars, first through third magnitude, Mintaka is closest to the celestial equator, only a quarter of a degree to the south, the star rising and setting almost exactly east and west. The star is wonderfully complex. A small telescope shows a seventh magnitude companion separated by almost a minute of arc. At Mintaka's distance of 915 light years (very nearly the same as Alnitak at the eastern end of the belt), the faint companion orbits at least a quarter of a light year from the bright one. In between is a vastly dimmer 14th magnitude component. The bright star we call Mintaka (whose solo magnitude is 2.23) is ALSO double, and consists of a hot (30,000 Kelvin) class B, slightly evolved, giant star and a somewhat hotter class O star, each radiating near 90,000 times the solar luminosity (after correction for a bit of interstellar dust absorption), each having masses somewhat over 20 times the solar mass. This pair is too close to be separated directly. The duplicity is known through the star's spectrum (its rainbow of light), which detects two stars orbiting each other every 5.73 days, and also because the stars slightly eclipse each other, causing a dip of about 0.2 magnitudes. Mintaka is most famed. however, as a background against which the thin gas of interstellar space was first detected, when the German astronomer Johannes Hartmann in 1904 discovered absorptions in the star's spectrum that could not be produced by the orbiting pair. From this discovery, and others that followed, we now know that all of the Galaxy's interstellar space contains an enormously complex medium of gas and dust that is the birthplace of new stars. Mintaka will also, to some distant generation of astronomers, be famed in death, as each of its components is so massive that their only fate is to explode violently as supernovae.
Written by
Jim Kaler. Return to
STARS.
O |
|
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
|
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
O |
|
6 |
- |
5 |
ORION |
71 |
35 |
8 |
- |
- |
21 |
|
15 |
Add to Reduce |
|
|
|
- |
- |
2+1 |
|
1+5 |
Reduce to Deduce |
2+1+6 |
9+0 |
1+8 |
Q |
- |
3 |
|
6 |
Essence of Number |
|
|
|
O |
|
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
O |
|
6 |
- |
5 |
ORION |
71 |
35 |
8 |
- |
- |
12 |
|
11 |
Add to Reduce |
|
|
|
- |
- |
1+2 |
|
1+1 |
Reduce to Deduce |
1+6+0 |
7+0 |
1+6 |
Q |
- |
3 |
|
2 |
Essence of Number |
|
|
|
3 |
LEO |
32 |
14 |
5 |
7 |
REGULUS |
103 |
31 |
4 |
10 |
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+6+2 |
4+5 |
- |
|
Essence of Number |
|
|
|
3 |
|
33 |
15 |
|
13 |
|
159 |
51 |
|
2 |
|
21 |
12 |
|
3 |
|
32 |
14 |
|
|
First Total |
|
|
|
2+1 |
Add to Reduce |
2+4+5 |
9+2 |
2+0 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+1 |
1+1 |
|
|
Essence of Number |
|
|
|
|
|
|
4 |
|
50 |
23 |
|
|
|
|
4 |
|
41 |
23 |
|
|
|
|
|
First Total |
|
|
|
|
|
- |
- |
Add to Reduce |
9+1 |
4+6 |
1+0 |
|
|
|
|
Second Total |
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
|
|
|
|
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
3 |
GOD |
26 |
17 |
8 |
7 |
PATTERN |
94 |
31 |
4 |
13 |
Add to Reduce |
|
|
|
1+3 |
Reduce to Deduce |
1+5+3 |
6+3 |
1+8 |
|
Essence of Number |
|
|
|
- |
|
- |
- |
- |
|
THE |
33 |
15 |
|
|
SOLAR |
65 |
29 |
|
|
SYSTEM |
101 |
38 |
|
14 |
THE SOLAR SYSTEM |
199 |
82 |
10 |
1+4 |
|
1+9+9 |
8+2 |
1+0 |
5 |
THE SOLAR SYSTEM |
19 |
10 |
1 |
- |
|
1+9 |
1+0 |
- |
5 |
THE SOLAR SYSTEM |
10 |
1 |
1 |
- |
|
1+0 |
- |
- |
5 |
THE SOLAR SYSTEM |
1 |
1 |
1 |
3 |
SUN |
54 |
9 |
|
7 |
MERCURY |
103 |
40 |
4 |
5 |
VENUS |
81 |
18 |
9 |
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
4 |
MARS |
51 |
15 |
6 |
7 |
JUPITER |
99 |
36 |
9 |
6 |
SATURN |
93 |
21 |
3 |
6 |
URANUS |
94 |
22 |
4 |
7 |
NEPTUNE |
95 |
32 |
5 |
5 |
PLUTO |
84 |
21 |
3 |
59 |
First Total |
863 |
260 |
62 |
5+9 |
Add to Reduce |
8+6+3 |
2+6 |
6+2 |
16 |
Second Total |
17 |
8 |
8 |
1+6 |
Reduce to Deduce |
1+7 |
- |
- |
7 |
Essence of Number |
8 |
8 |
8 |
3 |
SUN |
54 |
9 |
|
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
12 |
First Total |
163 |
55 |
19 |
1+2 |
Add to Reduce |
1+6+3 |
5+5 |
6+2 |
3 |
Second Total |
10 |
10 |
10 |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
3 |
Essence of Number |
7 |
7 |
7 |
BRAHMA
4 |
GODS |
45 |
18 |
9 |
6 |
SPIRIT |
91 |
37 |
1 |
4 |
ISIS |
89 |
35 |
8 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
4 |
7 |
KRISHNA |
80 |
35 |
3 |
7 |
SHRISTI |
102 |
39 |
3 |
5 |
RISHI |
63 |
36 |
9 |
4 |
ISHI |
45 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
Brahma - Wikipedia
n.wikipedia.org › wiki › Brahma
Brahma (Sanskrit: ???????, romanized: Brahma) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that ...
From Wikipedia, the free encyclopedia
This article is about Hindu creation god. For the genderless metaphysical concept of Ultimate Reality in Hindu philosophy, see Brahman.
For other uses, see Brahma (disambiguation).
Brahma
God of Creation
Creator of the Universe
Epitome of knowledge and the Vedas[1]
Member of Trimurti
A roundel of Brahma.jpg
A roundel with depiction of Brahma, 19th century
Other names
Svayambhu, Virinchi, Prajapati
Devanagari
Sanskrit transliteration
Brahma
Affiliation
Trideva, Deva
Abode
Satyaloka or Brahmaloka, Pushkara
Mantra
O? vedatmanaya vidmahe hira?yagarbhaya dhimahi tan no brahma pracodayat
Weapon
Brahmastra, Brahmashirsha astra
Symbol
Lotus, the Vedas, japamala and kamandalu
Mount
Hamsa
Festivals
Kartik Purnima
Personal information
Consort
Saraswati (Brahmani)
Children
Mind-born children including Angiras, Atri, Bhrigu, Chitragupta, Daksha, Himavan, Jambavan, Kama, Kratu, Kumaras, Marichi, Narada, Pulaha, Pulastya, Shatarupa, Svayambhuva Manu Vashishtha
Brahma (Sanskrit: ???????, romanized: Brahma) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu, and Shiva.[2][3][4] He is associated with creation, knowledge, and the Vedas.[5][6][7][8] Brahma is prominently mentioned in creation legends. In some Puranas, he created himself in a golden embryo known as the Hiranyagarbha.
Brahma is frequently identified with the Vedic god Prajapati.[9] During the post-Vedic period, Brahma was a prominent deity and his sect existed; however, by the 7th century, he had lost his significance. He was also overshadowed by other major deities like Vishnu, Shiva, and Devi,[10] and demoted to the role of a secondary creator, who was created by the major deities.[11][12][13]
Brahma is commonly depicted as a red or golden complexioned bearded man, with four heads and hands. His four heads represent the four Vedas and are pointed to the four cardinal directions. He is seated on a lotus and his vahana (mount) is a hamsa (swan, goose or crane). According to the scriptures, Brahma created his children from his mind and thus, they are referred to as Manasaputra.[14][15]
In contemporary Hinduism, Brahma does not enjoy popular worship and has substantially less importance than the other two members of the Trimurti. Brahma is revered in the ancient texts, yet rarely worshiped as a primary deity in India, owing to the absence of any significant sect dedicated to his veneration.[16] Very few temples dedicated to him exist in India, the most famous being the Brahma Temple, Pushkar in Rajasthan.[17] Some Brahma temples are found outside India, such as at the Erawan Shrine in Bangkok.[18]
Origin and meaning?[edit]
The origins of the term brahma are uncertain, in part because several related words are found in the Vedic literature, such as Brahman for the 'Ultimate Reality' and Brahma?a for 'priest'. A distinction between the spiritual concept of brahman and the deity Brahma is that the former is a genderless abstract metaphysical concept in Hinduism[19] while the latter is one of the many masculine gods in Hindu tradition.[20] The spiritual concept of brahman is quite old[citation needed] and some scholars suggest that the deity Brahma may have emerged as a personification and visible icon of the impersonal universal principle brahman.[21] The existence of a distinct deity named Brahma is evidenced in late Vedic texts.[21]
Grammatically, the nominal stem brahma- has two distinct forms: the neuter noun bráhman, whose nominative singular form is brahma (??????); and the masculine noun brahmán, whose nominative singular form is brahma (???????). The former, neuter form has a generalised and abstract meaning[22] while the latter, masculine form is used as the proper name of the deity Brahma.
GODS SPIRIT GODS
ISIS OSIRIS VISHNU SHIVA SHRI KRISHNA SHRISTI RISHI ISHI CHRIST
SING A SONG OF NINES OF NINES A SONG SING
O |
|
6 |
- |
6 |
ORION OSIRIS |
|
|
|
S |
|
1 |
- |
- |
NOSIS |
76 |
22 |
|
S |
|
1 |
- |
- |
SON IS |
76 |
22 |
|
S |
|
1 |
- |
- |
IS SON |
76 |
22 |
|
S |
|
1 |
- |
- |
NOSIS |
76 |
22 |
|
O |
|
6 |
- |
6 |
ORION OSIRIS |
|
|
|
GNOSIS GOD KNOWS THIS THAT THIS KNOWS GOD GNOSIS
4 |
GODS |
45 |
18 |
9 |
6 |
SPIRIT |
91 |
37 |
1 |
4 |
ISIS |
89 |
35 |
8 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
4 |
7 |
KRISHNA |
80 |
35 |
3 |
7 |
SHRISTI |
102 |
39 |
3 |
5 |
RISHI |
63 |
36 |
9 |
4 |
ISHI |
45 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
GODS SPIRIT GODS
ISIS OSIRIS VISHNU SHIVA SHRI KRISHNA SHRISTI RISHI ISHI CHRIST
SING A SONG OF NINES OF NINES A SONG SING
14 |
NEBUCHADNEZZAR |
|
|
|
|
|
|
|
N+E+B+U+C |
|
45 |
|
18 |
|
9 |
|
H+A |
|
9 |
|
9 |
|
9 |
|
D+N |
|
18 |
|
9 |
|
9 |
|
E+Z |
|
31 |
|
13 |
|
4 |
|
Z+A |
|
27 |
|
9 |
|
9 |
|
R |
|
18 |
|
9 |
|
9 |
|
NEBUCHADNEZZAR |
|
148 |
|
76 |
|
49 |
|
|
|
1+4+8 |
|
7+6 |
|
4+9 |
|
|
|
13 |
|
13 |
|
13 |
|
THIRTEEN |
|
|
|
|
|
|
|
THIRTEEN |
|
99 |
|
45 |
|
9 |
4 |
WORD |
60 |
24 |
6 |
1 |
S |
19 |
10 |
1 |
5 |
SWORD |
79 |
25 |
7 |
5 |
SWEAR |
66 |
21 |
3 |
2 |
OR |
33 |
15 |
6 |
3 |
DIE |
18 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
WORD |
60 |
24 |
6 |
1 |
L |
12 |
3 |
3 |
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
THE RAINBOW LIGHT |
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
|
|
|
|
|
7 |
RAINBOW |
82 |
37 |
|
|
|
|
|
5 |
LIGHT |
56 |
29 |
|
|
|
|
|
|
|
171 |
81 |
9 |
|
|
1+4 |
|
1+5 |
|
1+7+1 |
8+1 |
|
|
|
|
|
|
|
|
|
|
THE UNKNOWN GOD
- |
THE UNKNOWN GOD |
|
|
|
3 |
THE |
33 |
15 |
|
7 |
UNKNOWN |
112 |
31 |
|
3 |
GOD |
26 |
17 |
|
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
= |
3 |
4 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
5 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
6 |
1 |
|
11 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
7 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
8 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
9 |
1 |
|
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
= |
7 |
11 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
12 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
13 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
2+5 |
1+2 |
|
|
|
U |
= |
3 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
12 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+2 |
- |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
3 |
- |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
2 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
5 |
3 |
1 |
|
5 |
5 |
5 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
3 |
4 |
1 |
|
21 |
3 |
3 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
5 |
5 |
1 |
|
14 |
5 |
5 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
2 |
6 |
1 |
|
11 |
2 |
2 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
5 |
7 |
1 |
|
14 |
5 |
5 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
6 |
8 |
1 |
|
15 |
6 |
6 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
5 |
9 |
1 |
|
23 |
5 |
5 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
5 |
10 |
1 |
|
14 |
5 |
5 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
7 |
11 |
1 |
|
7 |
7 |
7 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
6 |
12 |
1 |
|
15 |
6 |
6 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
4 |
13 |
1 |
|
4 |
4 |
4 |
|
1 |
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
2+5 |
1+2 |
|
|
|
U |
= |
3 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
12 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+2 |
- |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
3 |
- |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
2 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
2 |
6 |
1 |
|
11 |
2 |
2 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
3 |
4 |
1 |
|
21 |
3 |
3 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
4 |
13 |
1 |
|
4 |
4 |
4 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
5 |
3 |
1 |
|
5 |
5 |
5 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
5 |
5 |
1 |
|
14 |
5 |
5 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
5 |
7 |
1 |
|
14 |
5 |
5 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
5 |
9 |
1 |
|
23 |
5 |
5 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
5 |
10 |
1 |
|
14 |
5 |
5 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
6 |
12 |
1 |
|
15 |
6 |
6 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
6 |
8 |
1 |
|
15 |
6 |
6 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
7 |
11 |
1 |
|
7 |
7 |
7 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
1 |
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
2+5 |
1+2 |
|
|
|
U |
= |
3 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
12 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+2 |
- |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
3 |
- |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
M |
= |
4 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
= |
2 |
6 |
1 |
|
11 |
2 |
2 |
|
|
|
|
|
|
|
|
|
= |
3 |
4 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
= |
4 |
13 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
5 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
7 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
9 |
1 |
|
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
6 |
12 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
= |
6 |
8 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
= |
7 |
11 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
2+5 |
1+2 |
|
|
U |
= |
3 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
- |
- |
12 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
- |
- |
1+2 |
- |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
- |
- |
3 |
- |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
13 |
THE UNKNOWN GOD |
- |
- |
- |
|
THE |
33 |
15 |
|
|
UNKNOWN |
112 |
31 |
|
|
GOD |
26 |
17 |
|
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
|
|
9 |
9 |
9 |
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
3 |
THE |
33 |
15 |
6 |
3 |
SON |
48 |
12 |
3 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
3 |
SUN |
54 |
9 |
9 |
14 |
First Total |
|
|
|
1+4 |
Add to Reduce |
1+8+9 |
6+3 |
2+7 |
5 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
3 |
SUN |
54 |
18 |
9 |
3 |
GOD |
26 |
17 |
8 |
9 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+1+3 |
5+0 |
2+3 |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
1 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
|
|
|
- |
H |
= |
8 |
|
2 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
- |
E |
= |
5 |
|
3 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
- |
- |
- |
15 |
- |
- |
|
|
33 |
15 |
15 |
6 |
|
|
|
|
|
|
- |
|
- |
S |
= |
1 |
|
4 |
1 |
S |
19 |
10 |
1 |
- |
1 |
|
|
|
|
|
|
|
- |
U |
= |
3 |
|
5 |
1 |
U |
21 |
3 |
3 |
- |
|
- |
|
|
|
|
|
|
- |
N |
= |
5 |
|
6 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
- |
|
|
|
|
- |
- |
- |
9 |
- |
- |
|
|
54 |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
- |
G |
= |
7 |
|
7 |
1 |
G |
7 |
7 |
7 |
- |
- |
|
|
|
|
|
|
|
- |
O |
= |
6 |
|
8 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
- |
D |
= |
4 |
|
9 |
1 |
D |
4 |
4 |
4 |
- |
|
|
- |
|
|
|
|
|
- |
- |
- |
17 |
- |
- |
|
|
26 |
17 |
17 |
8 |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
9 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
4+1 |
|
- |
|
- |
1+1+3 |
5+0 |
4+1 |
|
|
|
|
|
1+0 |
|
|
|
|
Q |
- |
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
1 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
|
|
|
9 |
H |
= |
8 |
|
2 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
9 |
E |
= |
5 |
|
3 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
9 |
S |
= |
1 |
|
4 |
1 |
S |
19 |
10 |
1 |
- |
1 |
|
|
|
|
|
|
|
9 |
U |
= |
3 |
|
5 |
1 |
U |
21 |
3 |
3 |
- |
|
- |
|
|
|
|
|
|
9 |
N |
= |
5 |
|
6 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
- |
|
|
|
|
9 |
G |
= |
7 |
|
7 |
1 |
G |
7 |
7 |
7 |
- |
- |
|
|
|
|
|
|
|
9 |
O |
= |
6 |
|
8 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
9 |
D |
= |
4 |
|
9 |
1 |
D |
4 |
4 |
4 |
- |
|
|
- |
|
|
|
|
|
9 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
9 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
4+1 |
|
- |
|
- |
1+1+3 |
5+0 |
4+1 |
|
|
|
|
|
1+0 |
|
|
|
|
Q |
- |
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
RE 95 RE
REARRANGED NUMERICALLY REARRANGED
RE 95 RE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
4 |
1 |
S |
19 |
10 |
1 |
- |
1 |
|
|
|
|
|
|
|
9 |
T |
= |
2 |
|
1 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
|
|
|
9 |
U |
= |
3 |
|
5 |
1 |
U |
21 |
3 |
3 |
- |
|
- |
|
|
|
|
|
|
9 |
D |
= |
4 |
|
9 |
1 |
D |
4 |
4 |
4 |
- |
|
|
- |
|
|
|
|
|
9 |
E |
= |
5 |
|
3 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
9 |
N |
= |
5 |
|
6 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
- |
|
|
|
|
9 |
O |
= |
6 |
|
8 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
9 |
G |
= |
7 |
|
7 |
1 |
G |
7 |
7 |
7 |
- |
- |
|
|
|
|
|
|
|
9 |
H |
= |
8 |
|
2 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
9 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
9 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
4+1 |
|
- |
|
- |
1+1+3 |
5+0 |
4+1 |
|
|
|
|
|
1+0 |
|
|
|
|
Q |
- |
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
RE |
23 |
14 |
5 |
3 |
THE |
33 |
15 |
6 |
3 |
SUN |
54 |
18 |
9 |
3 |
GOD |
26 |
17 |
8 |
11 |
First Total |
|
|
|
1+1 |
Add to Reduce |
1+3+6 |
6+4 |
2+8 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
23 |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
|
1 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
2 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
- |
- |
- |
14 |
- |
- |
|
|
23 |
14 |
14 |
6 |
|
|
|
|
|
|
- |
|
- |
T |
= |
2 |
|
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
|
|
|
- |
H |
= |
8 |
|
4 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
- |
E |
= |
5 |
|
5 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
- |
- |
- |
15 |
- |
- |
|
|
33 |
15 |
15 |
6 |
|
|
|
|
|
|
- |
|
- |
S |
= |
1 |
|
6 |
1 |
S |
19 |
10 |
1 |
- |
1 |
|
|
|
|
|
|
|
- |
U |
= |
3 |
|
7 |
1 |
U |
21 |
3 |
3 |
- |
|
- |
|
|
|
|
|
|
- |
N |
= |
5 |
|
8 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
- |
|
|
|
|
- |
- |
- |
9 |
- |
- |
|
|
54 |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
- |
G |
= |
7 |
|
9 |
1 |
G |
7 |
7 |
7 |
- |
- |
|
|
|
|
|
|
|
- |
O |
= |
6 |
|
10 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
- |
D |
= |
4 |
|
11 |
1 |
D |
4 |
4 |
4 |
- |
|
|
- |
|
|
|
|
|
- |
- |
- |
17 |
- |
- |
|
|
26 |
17 |
17 |
8 |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
9 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
5+5 |
|
- |
|
- |
1+3+6 |
6+4 |
5+5 |
|
|
|
|
|
1+5 |
|
|
|
|
Q |
- |
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
|
- |
|
- |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
Q |
- |
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
9 |
|
|
|
|
|
|
|
|
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- |
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
|
1 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
2 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
- |
T |
= |
2 |
|
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
|
|
|
- |
H |
= |
8 |
|
4 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
- |
E |
= |
5 |
|
5 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
- |
S |
= |
1 |
|
6 |
1 |
S |
19 |
10 |
1 |
- |
1 |
|
|
|
|
|
|
|
- |
U |
= |
3 |
|
7 |
1 |
U |
21 |
3 |
3 |
- |
|
- |
|
|
|
|
|
|
- |
N |
= |
5 |
|
8 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
- |
|
|
|
|
- |
G |
= |
7 |
|
9 |
1 |
G |
7 |
7 |
7 |
- |
- |
|
|
|
|
|
|
|
- |
O |
= |
6 |
|
10 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
- |
D |
= |
4 |
|
11 |
1 |
D |
4 |
4 |
4 |
- |
|
|
- |
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
9 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
5+5 |
|
- |
|
- |
1+3+6 |
6+4 |
5+5 |
|
|
|
|
|
1+5 |
|
|
|
|
Q |
- |
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
|
- |
|
- |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
Q |
- |
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
RE 95 RE
REARRANGED NUMERICALLY REARRANGED
RE 95 RE 95
|
|
|
|
|
|
|
23 |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
6 |
1 |
S |
19 |
10 |
1 |
- |
1 |
|
|
|
|
|
|
|
- |
T |
= |
2 |
|
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
|
|
|
- |
U |
= |
3 |
|
7 |
1 |
U |
21 |
3 |
3 |
- |
|
- |
|
|
|
|
|
|
- |
D |
= |
4 |
|
11 |
1 |
D |
4 |
4 |
4 |
- |
|
|
- |
|
|
|
|
|
- |
E |
= |
5 |
|
2 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
- |
E |
= |
5 |
|
5 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
- |
N |
= |
5 |
|
8 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
- |
|
|
|
|
- |
O |
= |
6 |
|
10 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
- |
G |
= |
7 |
|
9 |
1 |
G |
7 |
7 |
7 |
- |
- |
|
|
|
|
|
|
|
- |
H |
= |
8 |
|
4 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
- |
R |
= |
9 |
|
1 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
9 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
5+5 |
|
- |
|
- |
1+3+6 |
6+4 |
5+5 |
|
|
|
|
|
1+5 |
|
|
|
|
Q |
- |
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
|
- |
|
- |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
Q |
- |
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE FATEFUL ENCOUNTER
- |
CODE |
- |
- |
|
|
CO |
18 |
9 |
|
|
DE |
9 |
9 |
|
4 |
|
27 |
18 |
18 |
- |
|
2+7 |
1+8 |
1+8 |
4 |
|
9 |
9 |
9 |
HAMLET'S MILL
AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE
AND ITS TRANSMISSION THROUGH MYTH
Giorgio De Santillana and Hertha Von Dechend 1969
Page 162
"Finally, there is one remarkable and disturbing coincidence from the same direction. It is known that in the final battle of the gods, the massed legions on the side of "order" are the dead warriors, the "Einherier" who once fell in combat on earth and who have been transferred by the Valkyries to reside with Odin in Valhalla-a theme much rehearsed in heroic poetry. On the last day, they issue forth to battle in martial array. Says the Grimnismal (23): "Five hundred gates and forty more-are in the mighty building of Walhalla-eight hundred 'Einherier' come out of each one gate-on the time they go out on defence against the Wolf."
That makes 432,000 in all, a number of significance from of old.
This number must have had a very ancient meaning, for it is also the number of syllables in the Rigveda. But it goes back to the basic figure 10,800, the number of stanzas in the Rigveda (40 syllables to a stanza) which, together with 108, occurs insistently in Indian tradition. 10,800 is also the number which has been given by Heraclitus for the duration of the Aion, according to Censorinus (De die natali 18), whereas Berossos made the Babylonian Great Year to last 432,000 years. Again, 10,800 is the number of bricks of the Indian fire-altar (Agnicayana). 32
"To quibble away such a coincidence," remarks Schroder, "or to ascribe it to chance, is in my opinion to drive skepticism beyond its limits."33 Shall one add Angkor to the list? It has five gates, and to each of them leads a road, bridging over that water ditch which surrounds the whole place. Each of these roads is bordered by a row of huge stone figures, 108 per avenue, 54 on each side, altogether 540 statues of Deva and Asura, and each row carries a huge Naga / Page 163 / serpent with nine heads. Only, they do not "carry" that serpent, they are shown to "pull" it, which indicates that these 540 statues are churning the Milky Ocean, represented (poorly, indeed) by the water ditch,34 using Mount Mandara as a churning staff, and Vasuki, the prince of the Nagas, as their drilling rope. (Just to prevent misunderstanding: Vasuki had been asked before, and had agreeably consented, and so had Vishnu's tortoise avatar, who was going to serve as the fixed base for that "incomparably mighty churn," and even the Milky Ocean itself had made it clear that it was willing to be churned.) The whole of Angkor thus turns out to be a colossal model set up for "alternative motion" with true Hindu fantasy and incongruousness to counter the idea of a continuous one-way Precession from west to east."
www.bibliotecapleyades.net/hamlets_mill/hamlet
HAMLET'S MILL
AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE
AND ITS TRANSMISSION THROUGH MYTH
Giorgio De Santillana and Hertha Von Dechend 1969
CHAPTER X
The Twilight of the Gods
"Egyptian Book of the Dead, Osiris speaking:
"Hail, Thot! What is it that hath happened to the divine children of Nut? They have done battle, they have upheld strife, they have made slaughter, they have caused trouble: in truth, in all their doing the mighty have worked against the weak. Grant, O might of Thot, that that which the God Atum hath decreed (may be accomplished)! And thou regardest not evil nor art thou provoked to anger when they bring their years to confusion and throng in and push to disturb their months; for in all that they have done unto thee, they have worked iniquity in secret!" [n1 Chapter 175, 1-8, W. Budge trans. The italics are ours.].
Thot is the god of science and wisdom; as for Atum, he precedes, so to speak, the divine hierarchy."
The fateful encounter hypothesis which is what is most commonly accepted is that it was solely by chance that a single mitochondria was taken up by a single ancient bacterial cell that then divided together to give each daughter cell a mitochondria of its own.27 Oct 2014
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
- |
- |
1+3 |
- |
1+9 |
|
2+1+9 |
8+4 |
2+1 |
|
|
4 |
|
10 |
THE FATEFUL ENCOUNTER |
12 |
12 |
3 |
|
|
- |
- |
1+0 |
- |
1+2 |
1+2 |
- |
|
|
4 |
|
1 |
THE FATEFUL ENCOUNTER |
3 |
3 |
3 |
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
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|
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|
|
2 |
1 |
|
8 |
8 |
|
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|
|
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|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
3 |
THE FATEFUL ENCOUNTER |
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
6 |
6 |
|
|
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|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
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|
6 |
1 |
|
20 |
2 |
|
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|
|
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|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
6 |
6 |
|
|
|
|
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|
|
|
|
9 |
1 |
|
21 |
3 |
|
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|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
7 |
THE FATEFUL ENCOUNTER |
71 |
26 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
|
|
|
|
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|
|
|
|
|
|
|
|
16 |
1 |
|
21 |
3 |
|
|
|
|
|
|
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|
|
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|
|
|
17 |
1 |
|
14 |
5 |
|
|
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|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
|
9 |
THE FATEFUL ENCOUNTER |
115 |
43 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
12 |
|
30 |
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
1+2 |
|
3+0 |
1+8 |
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+9 |
|
2+1+9 |
8+4 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
10 |
THE FATEFUL ENCOUNTER |
12 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
- |
1+2 |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
1 |
THE FATEFUL ENCOUNTER |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
12 |
|
30 |
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
1+2 |
|
3+0 |
1+8 |
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+9 |
|
2+1+9 |
8+4 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
10 |
THE FATEFUL ENCOUNTER |
12 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
- |
1+2 |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
1 |
THE FATEFUL ENCOUNTER |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED INTO NUMERICAL ORDER
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
12 |
|
30 |
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
1+2 |
|
3+0 |
1+8 |
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+9 |
|
2+1+9 |
8+4 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
10 |
THE FATEFUL ENCOUNTER |
12 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
- |
1+2 |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
1 |
THE FATEFUL ENCOUNTER |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
19 |
THE FATEFUL ENCOUNTER |
- |
- |
- |
|
|
|
12 |
30 |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
1+2 |
3+0 |
1+8 |
|
|
F |
= |
6 |
- |
7 |
FATEFUL |
71 |
26 |
8 |
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
9 |
ENCOUNTER |
115 |
43 |
7 |
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
19 |
THE FATEFUL ENCOUNTER |
219 |
84 |
21 |
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+9 |
|
2+1+9 |
8+4 |
2+1 |
|
|
|
|
|
|
|
|
|
|
4 |
|
10 |
THE FATEFUL ENCOUNTER |
12 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+0 |
- |
1+2 |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
4 |
|
1 |
THE FATEFUL ENCOUNTER |
3 |
3 |
3 |
|
|
|
|
|
|
|
|